രാഗം - രാഗമാലിക (മുഖാരി / സുരുട്ടി)

താളം - തൃപുട

ദേവത - വിഷ്ണു (തൃപ്പൂണിത്തുറ)

രചന -  എം രാമൻ നമ്പുതിരി / ശാരദ നമ്പിഷ്ടദിരി

Raagam - Raagamalika (Mukhari / Suruti)

Thaalam - Tripuda

Deity - Vishnu (Thripunithura)

Lyrics -  M. Raman Namboodiri / Sharada Nambishtadiri

|പല്ലവി|

കാണായ് വരേണം എനിക്ക നിൻ പാദം

പൂർണ്ണത്രയീശ സദാ കാലം

|അനുപല്ലവി|

കാണി നേരം തിരിയാദെ മരുവുന്ന

നങ്ങേമ തന്നുടെ ഭാഗ്യാധി രേഖാം

കാണായ് വരേണം...

|ചരണം -1|

പൊന്നിൻ കിരീടവും മിന്നും ലലാടവും

ത്രിക്കാണ് അടച്ചുള്ള ശാന്തമാം ഭാവവും

തൂമന്ദഹാസം തിളങ്ങും  കാവിള് തടം

എള്ളിൽ പൂവോത്തൊരു നാസിക ഭംഗിയും

കാണായ് വരേണം...

|ചരണം -2|

പദ്മഹാരാഹിയായ കേശാദി പാദവും

ചന്ദന ചർച്ചിതമാം തിരുമാറും

ശംഖ ചക്ര പദ്മാ പാന്നി  ശുശോഭിതം

പൊന്നിൽ കസവു ഞൊറിഞ്ഞുള്ളോര് ആടായും

കാണായ് വരേണം...

|ചരണം -3|

പഞ്ചലോഹ കൂട്ടിൽ പ്രാണൻ ലയിപ്പിച്ച

മൂശാരി തന്നുടെ മുജ്ജന്മ പുണ്യവും

സന്താന ഗോപാല ഭ്രമണ സേവിതാനാം

പാര്ഥന്റ്റെ ഗർവം ശമിപിച്ച ഭാവവും

കാണായ് വരേണം...

|Shlokam|

Chelanjum pancha loham parijodilakalarthittu

Nin peela vaangaam chaale vaartheeduvaan

Kaivirudezhum oru mooshaariye eattam kuzhanje

Maalode koodukoodennu aagamalar aliye

Keennora shilpiye than lolangathil kalarthi

Bhavabhayam akhilam theertha moorthe namasthe ||

|Pallavi|

Kaanaay varenam enikku nin paadam

Poornathrayeesha sadaa kaalam

|Anupallavi|

Kaani neram thiriyaathe maruvunna

Nangema thannude bhaagyaadhi rekhaam

(Kaanaay varenam...)

|Charanam-1|

Ponnin kireedavum minnum lalaadavum

Thrikkaan adachulla shaanthamaam bhaavavum

Thoomandahaasam thilangum kavil thadam

Ellil poovothorunaasika bhangiyum

(Kaanaay varenam...)

|Charanam-2|

Padmahaaraahiyaaya keshaadi paadavum

Chandana charchithamaam thirumaarum

Shankha chakra padma paanni sushobhitham

Ponnil kasavu njorinjullor aadaayum

(Kaanaay varenam...)

|Charanam-3|

Panchaloha koottil praanan layippicha

Mooshaari thannude mujjanma punyavum

Santhaana gopaala bhramana sevithanaam

Paarthante garvam shamippicha bhaavavum

(Kaanaay varenam...)

Singer : Balakrishnan Madakkappillil

Audio reference :

Summary :        The hymn is dedicated to Lord Poornathrayeesha of Thripunithura. The singer intensely expressing the devotee's longing to constantly behold His divine form. The song opens with a legendary temple myth, honoring the profound devotion of the master sculptor whose life breath completely dissolved into the molten metal crucible while casting the deity's idol. The verses paint a stunning, serene portrait of the Lord, describing His golden crown, closed peaceful eyes, sandalwood-smeared chest, and four hands holding the sacred conch, discus, and lotus. It references the supreme good fortune of His consort Lakshmi, who remains by His side without ever parting, while also praising His divine role as Santhana Gopala Moorthy who humbled Arjuna's pride. Ultimately, the hymn serves as a deep meditation on absolute surrender, seeking liberation from all worldly fears at the feet of the Lord.

Slokam : I bow to the supreme deity who destroyed all worldly fears by absorbing the artisan into His own divine, gentle form. According to temple legend, when an exceptionally skilled sculptor was struggling and deeply distressed while trying to perfectly melt and blend the five metal alloys (Panchaloha) to cast Your magnificent idol, his soul melted away into the crucible. Witnessing the craftsman's absolute surrender, the Lord merged the artisan's spirit into His own form, freeing him from the cycle of rebirth.

Pallavi : O Lord Poornathrayeesha! Grant me the ultimate blessing to constantly behold Your divine lotus feet for all time.

Anupallavi : May I witness those feet, which are the ultimate mark of fortune for Nangema (Goddess Lakshmi), who resides alongside You without parting even for a split second.

Charanam 1 : I long to see Your golden crown, Your radiant forehead, and the serene, peaceful countenance of Your gently closed eyes. I long to behold Your cheeks glowing with a pure smile and the exquisite beauty of Your nose, which resembles a delicate sesame flower (Ellu poo).

Charanam 2 : I desire to gaze upon Your entire form from head to toe, adorned with lotus garlands, and behold Your sacred chest smeared with cooling sandalwood paste. I long to see Your four beautiful hands holding the holy conch, discus, and lotus, and Your form draped in garments woven with pleated golden threads (Kasavu).

Charanam 3 : I long to witness the ultimate spiritual reward and past-life merits (Mujjanma punyam) of that sculptor who dissolved his very life breath into the alloy crucible. I pray to behold Your magnificent form as Santhana Gopala Moorthy—the savior who humbled the pride of Arjuna (Parthan) during his quest to save the Brahmin's children.