രാഗം - മധ്യമാവതി

താളം - ത്രിപുട

ദേവത - വിഷ്ണു

രചന -  

Ragam - Madhyamavathi

Thaalam - Thripuda

Deity - Vishu  

Lyrics -  

|ശ്ലോകം|

മീനാമ വന്ദിനരസിംഹ അതീവഗർവ്വ

ശ്രി രാമ രാമ ബലഭദ്ര കുമാരനായി

ശ്രി കൃഷ്ണ ഗഡി ദശരൂപമെടുത്തു

ക്ഷോണി ശോകം കളഞ്ഞൊരഖിലേശൻ

ചക്രപാണി

|ചരണം-1|

കൃഷ്ണ രാമ  മുകുന്ദ മാധവ

വാസുദേവ ജഗൽ ഗുരോ

മത്സ്യ കച്ചവ നാരസിംഹ

പരാമ രാഘവ പാഹിമാം

|ചരണം-2|

ദേവ ദാനവർ നാരദാദി

മുനീന്ദ്ര വന്ദ്യ ദയാ നിധേ

ദേവകി സുത ദേഹിമേ

തവ പാദ ഭക്തിത ചഞ്ചലോ

|ചരണം-3|

രാമ രാമ നമോസ്തുതേ

ജയ രാമചന്ദ്ര  നമോസ്തുതേ

രാമഭദ്ര നമോസ്തുതേ  

ജയ രാഘവായ നമോസ്തുതേ

ശ്രീ രാമചന്ദ്ര നമോസ്തുതേ

രഘു രാമ ഭദ്ര നമോസ്തുതേ

ഉദഗദ നഗകര മുകുന്ദ മാധവ

മുകുന്ദ മാധവ മുകുന്ദ മാധവ

|ചരണം-4|

ഭഞ്ജനാ കേശവാ ഭവ

നരമൃഗ ശരീര നമോ നമഃ

ശ്രീ നാരായണ തേ നമോ നമഃ

ശ്രീ നാരായണ തേ നമോ നമഃ

നാരായണ ജയ നമോ നമഃ

ജയ നാരായണ നമോ നമഃ

നര  നാരായണ നമോ നമഃ

ഹരി  നാരായണ നമോ നമഃ

ലക്ഷ്മി നാരായണ നമോ നമഃ

|ചരണം-5|

ജയ നാരായണ ഹരി നാരായണ

നര നാരായണ ശ്രീ നാരായണ

ലക്ഷ്മി നാരായണ നാരായണ

നാരായണ നാരായണ

ഹരേ കൃഷ്ണ… കൃഷ്ണ ഹരേ ഹരേ

|Shloka |

Meenaama Vandhi Narasimha Ateeva Garva

Shri Rama Rama Balabhadra Kumara Naayi

Shri Krishna Gadi Dasha Roopameduthu

Kshoni Shokam Kalanjorakhileshan

Chakrapani ||

| Charanam - 1 |

Krishna Rama Mukunda Madhava

Vasudeva Jagat Guro

Matsya Kachava Narasimha

Parama Raghava Paahimaam

| Charanam - 2 |

Deva Daanavar Naradaadhi

Muneendra Vandhya Daya Nidhe

Devaki Suta Dehime

Tava Paada Bhaktita Chanchalo

| Charanam - 3 |

Rama Rama Namostute

Jaya Ramachandra Namostute

Ramabhadra Namostute

Jaya Raghavaya Namostute

Shree Ramachandra Namostute

Raghu Rama Bhadra Namostute

Udagada Nagakara Mukunda Madhava

Mukunda Madhava Mukunda Madhava

| Charanam - 4 |

Bhanjana Keshava Bhava

Naramruga Shareera Namo Namah

Shree Narayana Te Namo Namah

Shree Narayana Te Namo Namah

Narayana Jaya Namo Namah

Jaya Narayana Namo Namah

Nara Narayana Namo Namah

Hari Narayana Namo Namah

Lakshmi Narayana Namo Namah

| Charanam - 5 |

Jaya Narayana Hari Narayana

Nara Narayana Shree Narayana

Lakshmi Narayana Narayana

Narayana Narayana

Hare Krishna… Krishna Hare Hare

Singer : Ambalapuzha Vijayakumar

Audio reference :

Summary :        This hymn is a Namasankirtanam—a traditional Hindu prayer centered on chanting the divine names of God to cultivate inner peace and devotion. Rooted in the Bhakti tradition, it praises Lord Vishnu and His various incarnations (such as Rama, Krishna, and Narasimha) for lifting the world's burdens and destroying worldly pride. Ultimately, it serves as a meditative song of complete surrender, asking for protection, freedom from suffering, and unwavering devotion at the Lord's feet.

Slokam : This opening verse honors Chakrapani (Lord Vishnu, the holder of the discus), the Supreme Ruler of the universe (Akhileshan). It highlights how He took on ten distinct forms (Dasharoopam)—including the Fish (Matsya), Lion-man (Narasimha), Rama, Balabhadra, Krishna, and Kalki—to destroy overbearing pride (Ateeva Garva) and relieve the Earth (Kshoni) of its sorrows and distress.

Charanam 1 : A direct call of devotion to Lord Vishnu under His various names—Krishna, Rama, Mukunda, Madhava, Vasudeva, and the Universal Teacher (Jagat Guru). It invokes His avatars (Matsya/Fish, Kurma/Tortoise, Narasimha/Man-Lion, and Rama) and ends with a humble plea: "Paahimaam" ("Protect me!").

Charanam 2 : Describes the Lord as a treasure house of mercy (Daya Nidhe) who is revered and worshipped by gods (Devas), demons (Daanavas), and great sages led by Narada (Naradaadhi Muneendra). The devotee asks Lord Krishna (the son of Devaki) to grant unwavering, deep devotion (Bhakti) at His divine lotus feet.

Charanam 3 : A chorus of praise dedicated to Lord Ramachandra (Raghavaya, Ramabhadra), repeatedly offering bowings and salutations (Namostute). The concluding lines praise Him as Mukunda and Madhava, referencing His divine acts, such as lifting the Govardhana hill (Nagakara).

Charanam 4 : Addresses Lord Keshava as the destroyer of worldly bondage and suffering (Bhava Bhanjana). It bows to His half-man, half-lion form (Naramruga Shareera / Narasimha) and repeats salutations (Namo Namah) to Lord Narayana in His various supreme aspects (Nara-Narayana, Hari-Narayana, Lakshmi-Narayana).

Charanam 5 : A meditative chant celebrating the victory and glory (Jaya) of Lord Narayana in all His forms—Hari, Nara, Lakshmi Narayana. It concludes with the sacred name of Narayana and the auspicious chanting of Hare Krishna.